Traditionally, the limbo dance began at the lowest possible bar height and the bar was gradually raised, signifying an emergence from death into life. In its adaptation to the world of entertainment, troupes began reversing the traditional order. According to a 1956 newspaper report, the dance was revived in 1944 by Edric Connor. It became a popular entertainment in Trinidad and was adopted as a physical fitness exercise by American troops. In the 1950s, choreographer and dancer Julia Edwards added a number of features that are now considered standard, such as human ‘bars’ formed by the limbs of other dancers and the use of fire in the performance of limbo. A film, Julia and Joyce, by Trinidadian-American Sonja Dumas, was released in 2010. It traces the evolution of limbo dancing and the contribution of Edwards to its popularity.